Euclidean Gris Gris

Installation II, November 12, 2019 - May 17, 2020

Parisian Hoods in Bamboo Village, 2019, Two archival pigment prints in artist's frames, 45 x 57 x 2 in

Installation II, November 12, 2019 - May 17, 2020

Todd Gray, Euclidean Gris Gris, Pomona College, Museum of Art

Kenturah, 2019, Two archival pigment prints in artist's frames, 25 x 41 x 1.5 in

Installation I, November 12, 2019 - May 17, 2020

Euclidean Gris Gris (Paris/Cape Town), 2019, Two archival pigment prints in artist's frames, 60 3/8 x 89 1/2 x 2 1/2 in

Installation II, September 3 - November, 10, 2019

Euclidean Gris Gris (Love and Happiness), 2019, Two archival pigment prints in artist's frames, 37 7/8 x 47 3/4 x 2 3/4 in

Euclidean Gris Gris (Ship of Fools), 2019, Two archival pigment prints in artist's frames, 60 x 81 3/4 x 2 1/2 in

Installation II, November 12, 2019 - May 17, 2020

Euclidean Gris Gris (Tropic of Entropy), 2019, Four archival pigment prints in artist's frames, 73 3/4 x 90 x 4 1/2 in

Euclidean Gris Gris (The Young Shall Inherit the Earth), 2019, Three archival pigment prints in artist's frames, 30 3/4 x 30 5/8 x 3 1/4 in

Installation I, September 3 - November, 10, 2019

Euclidean Gris Gris (Francis), 2019, Three archival pigment prints in artist's frames, 49 5/8 x 37 5/8 x 1 3/4 in

Installation II, November 12, 2019 - May 17, 2020

Euclidean Gris Gris (Gifty/Versailles), 2019, three archival pigment prints in artist’s frames, 48 5/8 x 41 x 3 5/8 in. Pomona College Collection

EUCLIDEAN GRIS GRIS

Pomona College Museum of Art
September 03, 2019—May 17, 2020

The exhibition project “Todd Gray: Euclidean Gris Gris” activates the Pomona College Museum of Art’s largest gallery throughout the 2019/2020 academic year and consists of a site-specific wall drawing and an evolving selection of photographs from Gray’s ongoing artistic examination of the legacies of colonialism in Africa and Europe. A series of monthly programs, Longing on a Large Scale, and a publication accompany the exhibition.

The exhibition is curated by Rebecca McGrew with Hannah Grossman and is accompanied by a publication designed by Kimberly Varella of Content Object.

Exhibition supported by Andy Warhol Foundation and Mike Kelley Foundation For the Arts.