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Todd Gray, Slipping into Darkness, all the Honey Gone, 2018, Three archival pigment prints in artist's frames and found frames with UV laminate, 51 1/2 x 60 1/2 x 4 1/2 in

Todd Gray, Slipping into Darkness, all the Honey Gone, 2018, Three archival pigment prints in artist's frames and found frames with UV laminate, 51 1/2 x 60 1/2 x 4 1/2 in

Photo LA

February 1, 2020

2019 Programming
photo l.a.
FOCUS photo l.a.
2019 Programming
Public Dates: Jan 31 - Feb 2, 2020

SATURDAY, FEBRUARY 1, 2020
11:00AM
Reconsidering the Postmodern Canon: Art Historian Jeanne Dreskin in conversation with artists Harry Gamboa Jr., Todd Gray and Nicole Miller


Throughout the 1970s and 1980s, notions of a "postmodern image," located primarily in photography, emerged within American art world discourses. The appropriative practices of artists later associated with the "Pictures Generation" became paradigmatic of what many critics and art historians saw as this theoretically inflected turn in image-making. In their efforts to articulate photographic shifts way from late-modernist tenets, however, preeminent histories largely foreclosed the inclusion of artists whose work remained invested in sociopolitical concerns and imbricated politics of cultural identity introduced during the civil rights era. Positioning a reassessment of these narratives as a point of departure, panelists will consider expanded, intersectional notions of photographic postmodernism and their relevance to each of their practices, which share efforts to problematize the camera's role in both historical and contemporary constructions of identity.

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